also available:

Title: The Wreathed Cow, Virginia

Size / Media: Vintage gelatin silver print (1992), 18.75” x 8” image on 16”x20” paper; gold-toned in gold protective solution.

Price: $3500  (unframed print)

 

While our culture seems determined to manipulate and control the natural world, Margaret McCarthy’s landscapes address our yearning for a way back to balance with it.

Recent honors include American Society of Media Photographers BEST OF ASMP 2020,  Honorable Mention in 2020’s 14th JULIA MARGARET CAMERON AWARD for Women Photographers and a Merit Award in the ALL ABOUT PHOTO AWARDS 2020.  She was named among the “Best of the Best Emerging Fine Art Photographers” by BW GALLERIST Magazine;  ARTZEALOUS  chose her as one of “Four Photographers to Keep Your Eye On”.

Exhibitions include: the Fogg Art Museum, The Griffin Museum of Photography, the Overseas Press Club and The Hudson River Museum, as well as numerous galleries, universities and public exhibition spaces. Her “Divine Feminine” series is now part of the Kinsey Institute Art Collection.

Fine art publications include: BW GALLERIST (Best of Best, 2016) ARTZEALOUS, (“Photographer to Watch in 2016”)  LENSCRATCH,  SHADOW AND LIGHT Magazine, MUSEÈ Magazine, aCURATOR,  LE JOURNAL de la PHOTOGRAPHIE,  Elizabeth Avedon’s Photography BlogSpot, U. of Georgia’s ARTS AND LETTERS JOURNAL OF CONTEMPORARY CULTURE,  WRITING ON WATER  (MIT Press), PARABOLA Magazine and SOUTH X SOUTHEAST Photomagazine.

 

 

 

Equipment:

This photograph was shot with a 35mm Widelux  Camera –  a swing lens panoramic camera.

The 26mm lens of the camera pivots in a horizontal arc to create the panorama.

I’ve worked with both the Widelux F series (35mm) and the Widelux 1500 Model (Medium format 120mm film)

Fun fact: The filmaker Stanley Kubrick and the actor Jeff Bridges both did books of their Widelux photographs.

The camera is no longer made.  Widelux ended production in the year 2000.

 

The photograph was shot with B&W infra-red film; the Widelux camera was loaded in a light-tight darkroom; a changing bag would have been used in the field to re-load film.